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February 3, 2026 By  Australian Open, Featured, Opinion

Major Takeaways: Five Things We Learned From The 2026 Australian Open

In the first part of a new series to follow every Slam, Martin Keady, our resident tennis historian, considers what lessons we can draw from the 2026 Australian Open.

Five Major Takeaways From The 2026 Australian Open

1.The World Loves Long-Form (Three and Five-Set) Tennis

We supposedly live in the attention-deficit age, in which continual digital stimulation has apparently eroded the average human being’s ability to concentrate on anything for very long. For example, as Matt Damon revealed last week, streamers such as Netflix suggest to their film-makers that they remind the viewer of the plot three or four times during a film, because they are too busy looking at their phone to remember important narrative revelations. And yet the events of the 2026 Australian Open largely contradict that view.

Almost all of the first fortnight in Melbourne this year was, frankly, underwhelming. The only real shock came on the very first day, when Britain’s Arthur Fery defeated Italy’s latest star Flavio Cobolli, and that was largely because Cobolli was suffering from extreme dehydration and other physical ailments. There was a dearth not just of upsets but of long matches (three-setters on the women’s side and five-setters on the men’s).

Of course that all changed on the final weekend, when, as I wrote last week, The Dullest Slam Suddenly Became A Historic Slam. It was a classic case of “from famine to feast”, as the dull fortnight before it was suddenly forgotten in the white-hot intensity of the men’s semifinal action and then a really good women’s final. All of those matches went long and the world, including the casual tennis fan who just tunes in for Major semifinals and finals, loved it.

Just like last year’s all-time great final in Paris, it was a necessary reminder of the greatness of five-set tennis (and of the greatness of three-set tennis on the women’s side). And tennis should never forget that its ability to create epic sporting drama that at its best is comparable to Shakespearean drama is its most unique USP.

  1. Elena Rybakina’s Top Level Might Be The Highest of Any Female Player

Obviously, Carlos Alcaraz becoming the youngest man ever to complete the Career Grand Slam will be the achievement that everyone remembers from the 2026 Australian Open. However, for Elena Rybakina it was an unforgettable Major personally, as she finally won the second Major Singles title (after winning Wimbledon in 2022) that her extraordinary talent had always led us to think likely.

In beating Aryna Sabalenka (who has now lost three of her last four Major Singles finals) so comprehensively, Rybakina also confirmed the suspicions of many tennis writers and commentators that her top level, or “ceiling”, might just be higher than that of any other female player, including Sabalenka, the World No.1.

The way in which Rybakina ran away with the third set in the final, winning six of the last seven games to come back from 3-0 down and win the tournament, was incredible, evoking memories of the greatest ever single sets of tennis in Major finals, including perhaps the greatest. That is Roger Federer coming from 3-1 down in the fifth set of the 2017 Australian Open final against Rafael Nadal to win the next five games and with them the title. And the fact that Rybakina’s highest level can even be considered alongside that of Federer’s is the ultimate testament to her huge talent.

  1. The Australian Open and all Majors Must Adapt More To Climate Change

When we were discussing the 2026 Australian Open on the Tennis PAL Chronicles Podcast, my co-host asked why cramping, especially severe cramping of the kind that had almost curtailed Carlos Alcaraz’s Career Grand Slam bid in the semifinal, was seemingly becoming more common. I replied that the single biggest reason was probably the single biggest reason for everything that is happening in the 21st century, including rising geopolitical tensions, which of course is climate change.

The increasingly high temperatures in which the Australian Open in particular is being played (the highest temperature during the 2026 tournament was an almost unbelievable 46C, although play had been stopped by that point) mean that the Australian Open in particular and all the Majors in general must rethink some of their long-standing policies. And two obvious examples spring to mind immediately.

First, cramping should be treated solely as a medical issue, and not, as some have suggested, as evidence of a lack of conditioning. If a supreme athlete like Alcaraz can suffer from cramping, anyone can, and they should be treated accordingly. Removing the grey area between allowing medical timeouts for obvious injuries but not allowing them for cramping, even of the most severe kind, should be done as soon as possible.

Secondly, the Australian Open and indeed tennis in general is lucky that both Alcaraz and Djokovic made it to the Men’s Singles final after their almost superhuman efforts in the semifinals. If, however, Alcaraz had ultimately been unable to play, or if he had been unable to play at anywhere near his best, it would surely have been down to the fact that he had played the first semifinal in the scorching heat of the Melbourne day. In the future, as temperatures continue to rise everywhere, much greater efforts must be made to ensure parity for players, especially in semifinals. And if that means both semifinals take place under a roof, so be it.

  1. Learner Tien Is The Best New Young Male Player

Now that Alcaraz has completed the Career Grand Slam, it is easy to forget that he and Sinner, who have become The Huge Two of Men’s Tennis (based on their separation from the pack, not their Major totals), were part of a “youthquake” that shook tennis about three or four years ago, when it seemed that numerous young male players were coming through to challenge and eventually replace The Big Three. Yet three or four years on, that youthquake appears to have come to a complete halt, and no-one else is really emerging to challenge Alcaraz and Sinner.

Indeed, it is increasingly clear that the best young male player to emerge since Alcaraz and Sinner is probably the USA’s Learner Tien. At the end of 2024, Tien lost in the Next Gen Finals to Brazil’s Joao Fonseca, but since then it is Tien, not the highly-touted Fonseca, who has risen furthest up the world rankings and achieved the greatest feats (including winning the Next Gen Finals at the end of 2025). And he proved that again at the 2026 Australian Open by reaching the quarter-finals, knocking out Daniil Medvedev in the one real five-set shootout before the semifinals and finals weekend.

With his incredible mobility, baseline-hugging style and high tennis IQ, Tien is something of a throwback to previous decades in men’s tennis, especially the 1970s and 1980s, when pure physical power was not the defining attribute of the sport. Whether he will ever improve sufficiently to challenge Alcaraz and Sinner at the top of the men’s game remains questionable for now, but he has certainly done more than anyone else in the last year to suggest that he can eventually become a Major contender.

  1. More Tennis History Awaits In Paris

Finally, if any newfound tennis historian has not yet had enough tennis history for one year, they will be delighted to know that there is the potential for more tennis history to be made at the very next Major, at Roland Garros in May.

There and then, Jannik Sinner will hope to emulate Alcaraz at the very first attempt by completing his own Career Grand Slam, and in the process, of course, he would gain revenge for his defeat in last year’s final. Given the way that Sinner bounced back from losing that Paris final to win the very next Major, at Wimbledon, there is every chance that he will do so. And if 2026 becomes the first year in tennis history to produce two Career Grand Slams, it will be a truly unforgettable one.

Main Photo Credit: Mike Frey-Imagn Images

About Martin Keady

Martin is a scriptwriter of plays and screenplays, including a biopic of Shakespeare, www.theshakespeareplays.com. He is an experienced journalist, writing on cinema for The Script Lab as well as on sport for LastWordSports.com/tennis and LastWordOnSports.com/Football.com. A poet, having written a collection of short poems, entitled Shards, extracts from which have been broadcast on BBC Radio 3, Martin is married with three children and lives in London, UK.

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