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Donald Trump at UFC Freedom 250

“That’s Terrible” – Donald Trump’s Blunt Reaction to UFC Freedom 250 Arena Capacity Revealed in New FOX Documentary

Ahead of the UFC Freedom 250 event, much was made of the seating and accommodation plans for the historic seven-fight card. In the end, high-ranking military officials and first responders were given priority seating on the South Lawn to watch the action cageside, while fans gathered at The Ellipse outside the main arena, where around 85,000 tickets were distributed for a live viewing experience on giant screens.

However, it has now emerged that President Donald Trump was far from pleased with the UFC’s initial plans for the South Lawn arena’s seating capacity. A new two-part FOX Nation documentary, Fight House, chronicling the behind-the-scenes efforts that went into staging the June 14 event, captured a candid conversation between UFC Chief Content Officer and event producer Craig Borsari and Trump over the proposed number of seats.

The 80-year-old pushed aggressively for a much larger crowd, envisioning an arena that could accommodate between 7,000 and 8,000 spectators. He said, “Do 7000 seats here. You could do it. They’re gonna build it. There’s nothing under here. You agree that 7000 would be perfect? We could have an arena of 8000 people.”

 

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Borsari, however, explained that the original plan only allowed for around 2,500 spectators. He said, “Right now, the current infrastructure that we have that goes to the perimeter right up to the trees is only about 2,500.”

Trump’s response was immediate and unfiltered. He stated, “That’s terrible.” Trying to soften the blow, Borsari assured the president that the capacity could be increased into the 3,500 range if the structure was built vertically rather than expanding outward. While that represented a significant improvement, it still fell well short of Trump’s vision.

Still unconvinced, Trump asked, “So you’re not talking about six or seven thousand?” Borsari reiterated that reaching 6,000 or 7,000 seats would be extremely difficult because the venue could not expand any farther across the South Lawn. Instead, the only realistic option was to build upward and maximize the available footprint. 

UFC Freedom 250 cageside
UFC Freedom 250 cageside (via Imagn)

That approach was ultimately adopted, increasing the arena’s final capacity to approximately 4,300 spectators, well above the original 2,500, though still considerably short of Trump’s desired 7,000-8,000-seat venue. Later in the documentary, Dana White revealed that Trump continually challenged the organizers to find ways to fit more people into the venue.

He said, “He was the one that kept pushing us harder and harder to be able to get more seats and to get people in there. Every time he would push, we would try to figure it out. I mean, we built basically a stadium on the South Lawn of the White House.”

Ultimately, UFC Freedom 250 proved to be a massive success. The event reportedly attracted around 34 million viewers worldwide, delivered finishes in all seven bouts, and concluded with one of the biggest upsets in UFC history as Justin Gaethje defeated Ilia Topuria to capture the undisputed lightweight title.

About Kshitiz Kumar Singh

Kshitiz Kumar Singh is a UFC Writer at Last Word On MMA with over four years of experience in sports journalism and content creation. Known for his sharp storytelling and passion for combat sports, he has written in-depth features on stars like Brock Lesnar, Randy Couture, and Ilia Topuria. Before joining LWOS, Kshitiz worked as a UFC Editor at EssentiallySports while currently serving as a WWE Editor at FirstSportz and UFC Writer for NYFights. His admiration for legends like Georges St-Pierre continues to inspire his detailed and engaging MMA coverage. Whether he’s covering the Octagon or the squared circle, Kshitiz is committed to delivering accurate, high-quality content. Outside the world of sports, he’s a dedicated cinephile, often found practicing monologues from his favorite Al Pacino films, combining his love for cinema with storytelling.

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