{"id":127848,"date":"2024-10-24T13:00:40","date_gmt":"2024-10-24T17:00:40","guid":{"rendered":"https:\/\/lastwordonsports.com\/prowrestling\/?p=127848"},"modified":"2024-10-24T13:00:40","modified_gmt":"2024-10-24T17:00:40","slug":"hit-my-music-the-power-of-wrestling-themes-part-one","status":"publish","type":"post","link":"https:\/\/lastwordonsports.com\/prowrestling\/2024\/10\/24\/hit-my-music-the-power-of-wrestling-themes-part-one\/","title":{"rendered":"Hit My Music: The Power of Wrestling Themes (Part One)"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">The psychology of wrestling music is one we see every day, but not often do we take notice of its impact on us. <\/span><span style=\"font-weight: 400;\">In the 1890s, Soviet neurologist Ivan Pavlov discovered \u201cclassic conditioning.\u201d His studies were peculiar but shaped much of what we know of the principles of behavioral psychology.\u00a0<\/span><\/p>\n<h3>Pavlov and Classical Conditioning<\/h3>\n<p><span style=\"font-weight: 400;\">Testing dogs on his theories, he found that certain sounds would elicit a response from his canine friends. Responses were elicited through buzzers, metronomes, footsteps, and bells. After each of these sounds, he\u2019d give the dogs a treat.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Through behavioral patterns and environmental stimuli, he discovered that dogs visibly anticipated the arrival of food, drooling at the prospect.\u00a0<\/span><span style=\"font-weight: 400;\">With this in mind, he theorized that this was inherent in most living things, including humans.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For instance, when you were a child and the last bell rang at school,\u00a0 it was time to go home. When you hear a siren outside, you respond, understanding that bad weather is entering your area.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In Simply Psychology&#8217;s article on Pavlov, &#8220;<\/span><a  href=\"https:\/\/www.simplypsychology.org\/pavlov.html\" target=\"_blank\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-weight: 400;\">Pavlov\u2019s Dogs Experiment and Pavlovian Conditioning Response<\/span><\/a><span style=\"font-weight: 400;\">&#8220;, Editor-in-Chief and psychology teacher Saul McLeod, PhD mentions that these are learned behaviors stemming from associations to different stimuli. <\/span><span style=\"font-weight: 400;\">The more that living things are familiar with certain stimuli, the more casually they react through conditioning.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Through familiarity, these interactions become second nature. In the unconscious, living things exist with what has become a part of life.<\/span><\/p>\n<h3>How Classical Conditioning Applies to Wrestling<\/h3>\n<p><span style=\"font-weight: 400;\">From the moment the first and final bells ring, the bodies slam on the mat, the chairs <\/span><i><span style=\"font-weight: 400;\">thwack<\/span><\/i><span style=\"font-weight: 400;\">, the crowd chants and the building anticipation leads to a finishing move, fans move to the melody of wrestling. Performance and athleticism are but another part of the understanding of psychology needed to make fans believe in their stories, no matter how unreal.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">What I want to talk about, however, is the way music pulls us. A small part of a match, segment, or promo, music sets the stage for what\u2019s to come.<\/span><\/p>\n<h3>Origins<\/h3>\n<p><span style=\"font-weight: 400;\">Tracing back entrance themes in wrestling, one must go far back. I mean, far, far back. Past the memorable melodies of Jim Johnston or the Von Erichs using hit songs by Rush, Tanya Tucker, and more, this is nothing new.\u00a0<\/span><\/p>\n<p><b>Late 1900s<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Argentinian promotion <\/span><span style=\"font-weight: 400;\">Titanes en el Ring<\/span><span style=\"font-weight: 400;\"> did as much in the early 1970s, sporting themes for the wrestlers in its roster. Audiences in attendance grew comfortable knowing who was entering due to the songs they used. That\u2019s when it became the norm.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Before then, however, it wasn\u2019t as commonplace. Yes, some would have a song play them to the ring, but it was few and far between, with one figure among all the rest standing out.\u00a0<\/span><\/p>\n<p><b>Early 1900s<\/b><\/p>\n<p><span style=\"font-weight: 400;\">As far back as the late 40s or early 50s, Gorgeous George sauntered cockily to the ring. Pompous and arrogant, he utilized this tune to irk the fans in attendance as though to say he was better than them. Better than everybody.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While fans attribute the song \u201cPomp and Circumstance\u201d to the iconic Randy Savage in the public zeitgeist concerning wrestling. But its involvement in the squared circle predates him by a large margin.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And yet, as Jeff Frantom of<\/span><a  href=\"https:\/\/x.com\/pws_official\" target=\"_blank\" rel=\"noopener noreferrer\"> <span style=\"font-weight: 400;\">Pro Wrestling Stories<\/span><\/a><span style=\"font-weight: 400;\"> wrote in his piece, &#8220;<\/span><a  href=\"https:\/\/prowrestlingstories.com\/pro-wrestling-stories\/entrance-theme-music-wrestling\/\" target=\"_blank\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-weight: 400;\">Secret History of Entrance Music in Wrestling<\/span><\/a><span style=\"font-weight: 400;\">&#8220;, George wasn&#8217;t the only one. Around the same time, Mildred Burke had been using music, and earlier than her, Lord Patrick Lansdowne&#8217;s British aristocratic character entered squared circles to the tune of &#8220;God Save the King&#8221; to draw the ire of American audiences.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fun fact, he actually came from Ohio and we were lied to. We can&#8217;t even trust pro wrestling now.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Once promoters understood how music connects with fans, this now-crucial aspect of the medium became a big deal. Understanding that this aspect adds layers and context to the wrestlers in the ring, this facet allowed for a deeper bond between viewer and performer.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From WWE to WCW to the indies to AEW, the power of music works in sync with talent, and it does so in various ways.<\/span><\/p>\n<h3>The Entrance Pop<\/h3>\n<p><span style=\"font-weight: 400;\">Glass shattering. A coin landing on a flip. The swell of \u201cRise of the Valkyries.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These are sounds that are instantly recognizable and bring the fans to their feet. They are who the fans came to see.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is the salivator of fans. That heart-stopping, pulse-pounding thrill that informs that fans are now occupying the same space as a wrestler they adore.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Through charisma, aura, skill, and connection, the entrance pop is the chief indicator that the ensuing action and violence will be a collective cathartic joy. <\/span><span style=\"font-weight: 400;\">What I find interesting about this is the reaction of fans in arenas is the collective unconscious of it all; fans react once they see everyone else reacting \u2013 I\u2019ve seen this in effect on clueless fans personally.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Of course, the inverse of this is also true: Chris Jericho shouting \u201cI\u2026am the learning tree! \ud83d\ude03\u201d sees fans groaning, booing, or turning the channel. When acts don\u2019t resonate with viewers and fans, the response is usually already negative. Try as one might to work around or with it, it is still \u201cgo away heat.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Whichever one of these sounds or melodies rings out through buildings, the fans should react. They should. Sometimes that isn\u2019t the case.<\/span><\/p>\n<h3>Cut My Music<\/h3>\n<p><span style=\"font-weight: 400;\">When <\/span><span style=\"font-weight: 400;\">AEW Collision<\/span><span style=\"font-weight: 400;\"> first aired under CM Punk\u2019s guidance, something subtly noticeable took place. Themes played as usual when wrestlers had their scheduled matches but, when a talent made an unexpected run-in, to no fanfare.\u00a0<\/span><\/p>\n<p><strong>Surprise!<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">While CM Punk may be a tiny bit controversial (just a wee bit), my hot take is that I agree with him on this. It\u2019s organic and natural, fitting in with the realism of wrestling. <\/span><span style=\"font-weight: 400;\">And yet, it betrays what I said about the magic of an entrance pop when a debut or return occurs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For some, the suspension of disbelief and the camp of wrestling is at its best here. While I\u2019m not a fan of moments such as these, I\u2019m sure someone is a fan of it. It\u2019s campy, and people like camp.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">However, there\u2019s another element of an absence of music accompanying a talent to the ring, and that\u2019s when the story calls for it.<\/span><\/p>\n<p><b>Subverting The Norm<\/b><\/p>\n<p><span style=\"font-weight: 400;\">The best (and so far only) example I can think of was Tomasso Ciampa\u2019s memorable entrance during <\/span><i><span style=\"font-weight: 400;\">NXT Takeover: New Orleans <\/span><\/i><span style=\"font-weight: 400;\">in 2018 when he entered only to a chorus of boos. <\/span><span style=\"font-weight: 400;\">For context, Ciampa built a tag team relationship with beloved NXT babyface Johnny Gargano as part of DIY. Since 2015, the pair had a chemistry that resonated with audiences.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2018, when Ciampa grew tired of this alliance, he violently assaulted Gargano, breaking his and everyone else\u2019s hearts. This gave way to one of the brand\u2019s most gripping storylines in the early half of its story.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ciampa then made the genius choice to enter with no music. No licensed songs, nothing from CFO$, nothing. His theme song was the disdain of New Orleans.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">How bold\u2014 how confident do you have to be to use the audience\u2019s hate as fanfare? Wielding broken trust and pure spite as an anthem, swaggering to the ring without a care. <\/span><span style=\"font-weight: 400;\">Your sobbing is my theme song.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ciampa became the antithesis of Gorgeous George and Lord Patrick Lansdowne.<\/span><\/p>\n<h3><b>To Be Continued&#8230;<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Akin to concerts, reacting to music with wrestling crowds creates a unique atmosphere, targeting a side of music&#8217;s connection on a level of public consciousness. <\/span><span style=\"font-weight: 400;\">But there&#8217;s more. There&#8217;s still much to discuss about how music and wrestling coincide psychologically and emotionally: licensed music, nostalgia, wrestlers singing their own songs, and storytelling.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Until then, put on some headphones, start up your favorite playlist, and let yourself drift away.<\/span><\/p>\n<h3>More WWE From LWOS Pro Wrestling<\/h3>\n<p><em><span data-preserver-spaces=\"true\">Header photo \u2013 WWE \u2013 Stay tuned to the\u00a0<\/span><\/em><a class=\"editor-rtfLink\" href=\"https:\/\/lastwordonsports.com\/prowrestling\/\" target=\"_blank\" target=\"_self\"><em><span data-preserver-spaces=\"true\">Last Word on Pro Wrestling<\/span><\/em><\/a><em><span data-preserver-spaces=\"true\">\u00a0for more on this and other stories from around the world of wrestling, as they develop. You can always count on LWOPW to be on top of the major news in the wrestling world, as well as to provide you with analysis, previews, videos, interviews, and editorials on the wrestling world. You can check out an almost unlimited array of WWE content on the\u00a0<\/span><\/em><a class=\"editor-rtfLink\" href=\"https:\/\/watch.wwe.com\/\" target=\"_blank\" target=\"_blank\" rel=\"noopener noreferrer\"><em><span data-preserver-spaces=\"true\">WWE Network<\/span><\/em><\/a><em><span data-preserver-spaces=\"true\">\u00a0and\u00a0<\/span><\/em><a class=\"editor-rtfLink\" href=\"https:\/\/www.peacocktv.com\/watch\/home\" target=\"_blank\" target=\"_blank\" rel=\"noopener noreferrer\"><em><span data-preserver-spaces=\"true\">Peacock<\/span><\/em><\/a><em><span data-preserver-spaces=\"true\">.<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The psychology of wrestling music is one we see every day, but not often do we take notice of its impact on us. In the 1890s, Soviet neurologist Ivan Pavlov discovered \u201cclassic conditioning.\u201d His studies were peculiar but shaped much of what we know of the principles of behavioral psychology.\u00a0 Pavlov and Classical Conditioning Testing [&hellip;]<\/p>\n","protected":false},"author":5361,"featured_media":127919,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"no","_lmt_disable":"","sfio_featured_image":false,"sfio_embed_code":"","_ef_editorial_meta_date_first-draft-date":"","_ef_editorial_meta_paragraph_assignment":"","_ef_editorial_meta_checkbox_needs-photo":"","_ef_editorial_meta_number_word-count":"","footnotes":""},"categories":[4677,2192,25,4,3],"tags":[8232,4133,224,1229,246,8520,9034,9033,47,8916,8886],"class_list":["post-127848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aew","category-wrestling","category-raw","category-wwe","category-wwe-universe","tag-hangman-adam-page","tag-aew","tag-bray-wyatt","tag-gorgeous-george","tag-joe-hendry","tag-swerve-strickland","tag-wrestling-music","tag-wrestling-themes","tag-wwe","tag-wyatt-sicks","tag-wyatt-six"],"modified_by":"Chinyere Okafor","_links":{"self":[{"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/posts\/127848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/users\/5361"}],"replies":[{"embeddable":true,"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/comments?post=127848"}],"version-history":[{"count":0,"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/posts\/127848\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/media\/127919"}],"wp:attachment":[{"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/media?parent=127848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/categories?post=127848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lastwordonsports.com\/prowrestling\/wp-json\/wp\/v2\/tags?post=127848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}